Catalogue of two exhibitions: a thousand electric light-bulbs arranged in a grid on a flat aluminium support form the analoge frame that produces low-resolution video images.

272 pages, 15 authors, 250 artworks (Rondinone, de Cointet, Decrauzat, Morris, Sandback, Creed, van Golden, Mosset...).

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage.

The 12th BMI.

A tribute to Tony Grand.

The optical, spatial and sensorial exploitation of electric light within the field of contemporary art.

New monograph on Adel Abdessemed's videos, installations, scultpures and drawings, as a critique of the various guises of oppression and violence in our modern societies, both in Western and Muslim culture. With an interview and an essay.

A project by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

Following the 400th anniversary of the painter's birth, this film script re-reads Rembrandt's most celebrated painting.

Following the 400th anniversary of the painter's birth, this film script re-reads Rembrandt's most celebrated painting, The Nightwatch. Nightwatching is the first of a series of films dedicated to the golden age of Dutch painting.

20 epistolary short stories highlighting the spatial dimension of a specific word.

First monograph on the French artist, fully illustrated, with texts, interview and documentation.

First monograph devoted to the Californian artist.

The Fourierist Studies Association Review.

First monograph dedicated to the French artist living in Geneva (also available in English edition).

First monograph dedicated to the French artist living in Geneva (English edition).

The first biography of Robert Filliou.

A b/w portrait of the Norwegian snowboarder Terje Haakonsen.

New monograph (also available in English edition).

New monograph.

Sigurdur Arni Sigurdsson, Printemps de septembre, Fabrice Gygi, Zoë Mendelson, Jonathan Meese, Olivier Nottellet, Adrian Schiess, Bruno Carbonnet, Gérard Collin-Thiébaut, Dominique Leblanc, Roland Sabatier, Gilgian Gelzer, Michelangelo Pistoletto, Yvan Salomone, Aurélie Pétrel...

Céleste Boursier-Mougenot, John M. Armleder, Guy de Cointet, Philippe Mayaux, Jeppe Hein, Claude Lévêque, Bernhard Rüdiger, Bruno Serralongue, Philippe Cognée, Robert Morris, Pétur Már Gunnarsson, Toshinari Sato, Jean-Daniel Berclaz, Daniel Ruggiero, Gregg Smith...

This book provides a theoretical and critical framework to examine how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

The third and last catalogue of the contemporary art festival in Toulouse, France (with Art & Language, Rodney Graham, Joe Scanlan, Tatiana Trouvé, Lawrence Weiner, Anish Kapoor, Francis Alÿs, Monica Bonvicini, Christoph Büchel...)

The writings by Annette Messager assembed by Marie-Laure Bernadac appear to be exuberant, poetic, trivial. Lavishly illustrated, this monograph contains a collection of texts and interviews with the artist, many of which are unpublished.

Visually expanding on the art world's tendency to see the world through the prism of modern and contemporary art, the book depicts some 200 images of found or researched situations taken “after” an artist's work – occupied realities that are, one might say, signed by the artists.

Numbered edition of a photography and a poster (Jean-Marc Bustamante fecit), which are added to the special box set by M/M (Paris) containing the last three catalogues of the Printemps de septembre festival.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

An exhaustive documentation on the work of the French artist since 1970, fully illustrated.

A book and a DVD-ROM by Thierry Kuntzel (notes, essays, works, database).

Lavishly illustrated, this monograph contains a collection of texts and interviews with the artist, many of which are unpublished.

A collection of conferences for an exibition.

The Grief's greatest hits, with many unpublished, rarities and remixes.

This first issue commemorates the century of Jules Verne's death with a focus on contemporary scientific narratives dealing with the notion of space.

First monograph.

24 Semaine magazine issues in a box.

An anthology exploring the notion of reality.

Carsten Höller, David Robbins, Thomas Hirschhorn, Philippe Parreno, Jeff Koons, Liam Gillick, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Gary Webb, Gianni Motti, Xavier Veilhan...

A quartet of string and woodwind instruments brings together masters of free improvisation.

Publication on the Walter A. Bechtler Stiftung foundation, which has the particularity of being shown in a public space.

A book conceived as an extension of Melik Ohanian's film Seven Minutes Before, with contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro and Robert Whitman.

Projects, texts, drawings, photos and interviews.

Catalogue.

Patate is a magazine dedicaded to graphism and poetry edited by French punk graphic design pionneer Pascal Doury.

The Populism Catalogue documents the namesake exhibition and features works of fiction as a literary approach to the theme of populism.

Miss Marie le Masson Le Golft (1749-1826) is known as the lady who noted Nature.

Contemporary art French festival catalogue (with Franz Ackermann, Fred Tomaselli, Chloe Piene, David Reed, Siobhan Hapaska, James Rosenquist, Franz West, Jennifer Steinkamp, Jean-Pierre Bertrand, Gerhard Merz, Cindy Sherman, Stephane Calais, Jake & Dinos Chapman, Sigmar Polke, Daniel Schlier, Ger Van Elk, Alice Anderson...).

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

A new approach of Duchamp's keywords.